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Talkback: built in microphone, separate output, footswitch inputĬue-Mix: separate output, musician level, mix level and volume controlsĪpart from the great I/O this unit also sounds absolutely amazing. Monitoring: Source and loudspeaker selection, mono, dim, mute, switchable headphone output All the I/O I needed at the time with extra for when I needed it down the line. Lots of I/O: This unit doesn't have dsub connectors, instead it has six stereo inputs on the back (four balanced and two unbalanced sources), balanced XLR outputs for three loudspeaker pairs, slave output.
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The following features are what caught my attention: Through some research, I found the SPL kept coming up with great reviews. I didn't have a budget in mind as I really didn't know what to expect from a dedicated monitor control unit. After a few months of putting up with the C|24's poor quality monitor section I decided my studio needed a dedicated monitor controller that could deliver brilliant sound quality and flexibility. I found the sound quality of the C|24 monitor section equally as disappointing.
OPINIONES SOBRE DIGI 003 FULL
The main monitor control dial on the Avid C|24 is this horrible digital control knob that requires 3 full turns to go from zero to full. I expected the C|24 monitor control section to be the same if not better than the Digi 003, sadly I found it to be almost unusable. When I installed the HDX card and connected the Avid I/O I was forced to use the built-in monitor control section in my Avid C|24 control surface. The Digi 003 was a great audio interface with a really nice, if maybe a little basic, monitor control section. My previous Pro Tools system was a Digi 003 factory control surface/audio interface. I purchased the SPL 2381 monitor control not long after I took delivery of my Pro Tools HDX rig in 2012.